Chuck Berry's Birthday Album Edits

[This blog entry first appeared in January 2016. Recent research by reader James revealed some additional facts. These are included in italics below.]

Along with Taylor Hackford's 1986 documentary film celebrating Chuck Berry's 60th birthday MCA released a soundtrack album called Hail! Hail! Rock 'n' Roll (MCA LP 6217). It has been known that the contents of the soundtrack album is edited against the original recordings made during the two shows filmed for the movie. It has not been known exactly what kind of edits were done during this post-processing, though. However, given the huge resource of professional and private audience recordings, finding out the edits is possible. It's just a tremendous task.
During many weeks reader and fellow researcher Claude Schlouch [in 2015] listened to and compared the various recordings over and over again. [Additional research was done by reader James in 2019.] Here are the results:

• Maybellene - This first track on the soundtrack album combines the Welcome announcement of the second show with that shows first song. The Welcome has been shortened to just 16 seconds. The song's recording has no audible differences against the recording made from the second show which can be found for instance on the Crying Steel bootleg. The mix on the soundtrack album uses the exact same background track as the recording made from the second show which can be found for instance on the Crying Steel bootleg. It has a completely new vocal track, though. Thus MCA removed Berry's singing from the original recording and had him re-sing the vocals following the original track exactly.


• Around And Around - The musical background of this second track, which is not included in the film at all, is the one recorded during the first show as can be heard from a private audience tape. Berry's main vocal part is not, though. There are notable differences in pronunciation and emphasis. This again proves the theory that some tracks have been overdubbed in a recording studio some time after the show took place.


• Sweet Little Sixteen - This third track is from the first show as well. As the sound quality of the audience tape is fairly bad, there are no differences between the soundtrack album, the film, and the original recording which could be easily spotted.


• Brown Eyed Handsome Man - Robert Cray's solo number again is from the first show and has no notable changes over the original recording.


• Memphis, Tennessee - The same holds for this fifth track: no difference against the poor audience tape of the first show.


• Too Much Monkey Business - The audience tape of the first show only holds the first two minutes of this recording. Therefore there's no definitive result, but at least these two minutes are the same on the audience tape and the soundtrack album.


• Back In The U.S.A. - Since Linda Ronstadt didn't show up on the second show at all, that one is easy to solve. The recording is from the first show and there seem to be no later overdubs or edits.


• Wee Wee Hours - Quite the contrary when it comes to Eric Clapton's solo number. This is neither the recording from the first show nor the one from the second show. Instead careful listening reveals that the track on the soundtrack album as well as its visual counterpart in the film are a combination of both. The first three minutes are taken from the first show. The complete recording is available on a Japanese bootleg. The remaining two-and-a-half minutes are taken from the second show. Here the full recording can be found on the Crying Steel CD.


• Johnny B. Goode - Julian Lennon's contribution on the soundtrack album has been taken from the second show. One should note that this track is about 30 seconds longer on the soundtrack album as it is in the film itself. The lengthy guitar solo has been shortened in the video.


• Little Queenie - The same holds for this tenth track. Again the soundtrack album version is about ten seconds longer than the corresponding film segment. It's not quite clear whether the film version has been shortened or the soundtrack version lengthened as the audience tape we could compare it to misses part of this song. As the soundtrack album has a few extra instrumental bars right after the guitar introduction, it's likely that the film version was shortened.


• Rock And Roll Music - Etta James' performance has also been edited against the original recording which can be heard on the Crying Steel CD. The version on the soundtrack album is a bit shorter than the recording from the second show, and the version in the film is even shorter.


• Roll Over Beethoven - The last live track on the soundtrack album has been recorded in the second show as well. Comparing the album version to the rough original from the Crying Steel CD, you again hear two different vocal tracks. As with Maybellene, the original live vocals were removed and replaced with a studio recording. Again the film version has been cut a little making it 17 seconds shorter than on the album and tapes. Interestingly, the film version also has the vocal track overwritten, though differently. This means that MCA had Berry re-sing twice to both the original recording (for the soundtrack album) and to the edited shorter version (for the film).


• I'm Through With Love - There are no audible differences between the versions of this rehearsal to be heard in the film and on the soundtrack album. The version of this rehearsal on the soundtrack album starts with a small snippet of Berry and Johnson performing "The Frim Fram Sauce", originally known from Nat Cole. The version in the film has a slightly longer introduction instead.

Comparing the remaining performances shown in the film with the concert tapes revealed some additional interesting things:

• School Day - The finale was only filmed at the end of the second show. It is much shorter in the film than on the audience tape, and even shorter on the Crying Steel bootleg.


• No Particular Place To Go - The performance shown in the film is on neither of the audience tapes and bootlegs. As there is a (different) recording of this song on the tape of show 1, we suspect this is from an unknown part of show 2.


• Nadine - While the audience tapes contain several versions of this song, the performance shown in the film is neither the original recording from the show 1 tapes nor from the show 2 tapes. Thus it was either filmed in a segment of the show not preserved on audience tapes, or it is a heavily modified version cut from multiple performances.
  

Many thanks to Claude [and James] for all the work spent and for sharing his results with us. I have edited the section of the main site which covers the birthday concerts accordingly.